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Claude prompts
12 Claude Prompts for Writing, Editing and Rewriting
Natural-sounding rewrites, voice matching, emails, blog posts, editing and summaries.
Updated October 202612 promptsFree to copy, no signup
These writing prompts help you draft, edit and rewrite in your own voice. Each one asks for the context Claude needs, such as reader, purpose and length, and keeps facts you have not supplied out of the text.
How to use these prompts
Fill in the reader and purpose lines every time; they change the result more than any style instruction.
Paste a sample of your own writing whenever voice matters, so Claude matches you rather than a generic style.
Approve an outline or structure before asking for a full draft on anything longer than a page.
Read the change lists and placeholders Claude returns, and fill any [ADD EXAMPLE] or [PROOF NEEDED] gaps with real details.
Use it when: Use when a draft reads stiff or generic; Claude rewrites it in a clearer, more natural voice with concrete detail, keeping your meaning intact.
Prompt 01
Rewrite the draft below so it reads as if a thoughtful person wrote it for a specific reader: clear, natural and specific. The goal is better writing in my own voice, so keep my meaning, facts and structure unless a change clearly helps.
Reader: [AUDIENCE]
Where it will appear: [EMAIL / BLOG / LINKEDIN / REPORT]
<draft>
[PASTE DRAFT]
</draft>
Edit with these rules:
1. Replace stock phrases ("in today's fast-paced world", "it's important to note", "delve", "unlock", "game-changer", "navigate the landscape") with plain words, or cut them.
2. Vary sentence length. Mix short sentences with longer ones; a paragraph can be a single line.
3. Swap generic claims for concrete details. Where a specific example, number or name is needed and I have not supplied one, insert [ADD EXAMPLE] rather than inventing it.
4. Drop the patterns that make text feel automated: lists of three by default, a summary line closing every paragraph, "not only X but also Y" constructions, and rhetorical questions answered immediately.
5. Use contractions and direct address where they suit the setting.
Return the rewrite, then the 5 most significant changes in a short list.
Why it works: Naming the specific stock phrases and structural habits, such as lists of three and summary lines on every paragraph, gives Claude concrete patterns to remove rather than a vague instruction to sound natural. Using [ADD EXAMPLE] instead of invented detail keeps the text truthful, and telling Claude the reader and setting lets it pick the right level of informality.
Tip: Add a paragraph you wrote yourself as a reference, so the rewrite moves toward your real voice rather than a generic one.
2. Match my writing voice from samples
Claude or Claude Code
Use it when: Use when you want drafts that sound like you; Claude builds a style guide from your own writing, checks it with you, then writes in that voice.
Prompt 02
<samples>
[PASTE 3 TO 5 PIECES YOU WROTE YOURSELF, IDEALLY 1,500 WORDS OR MORE IN TOTAL, SEPARATED BY ---]
</samples>
I want you to write in my voice, using the samples above.
Step 1: Build a style guide from the samples only. Cover sentence length and rhythm, vocabulary level, words and phrases I use often, words I avoid, how I open and close pieces, humor, how I use examples and evidence, punctuation habits, formatting, and how formal I am. Quote a short example from my samples for each point. Keep it under 300 words.
Step 2: Show me the guide and wait for my corrections.
Step 3: Once I confirm, [REWRITE THE TEXT BELOW / WRITE A DRAFT ABOUT THE TOPIC BELOW] in my voice, following the guide.
<text>
[PASTE TEXT OR DESCRIBE THE TOPIC]
</text>
Match my voice, not my mistakes: fix genuine errors but keep my quirks. If the guide conflicts with clarity, follow the guide and point out the conflict.
Why it works: Building an explicit style guide from your samples, with quoted evidence, turns a fuzzy idea of voice into rules Claude can follow and you can check. Pausing for your corrections before writing catches misread traits early, and "match my voice, not my mistakes" stops Claude from copying typos while keeping your quirks.
Tip: Save the confirmed style guide in your Claude profile or a Project, so you only build it once.
3. Blog post prompt from outline to draft
Claude or Claude Code
Use it when: Use to turn a topic and target keyword into an outline that matches search intent, then a full draft written section by section.
Prompt 03
Help me write a blog post that fully answers what searchers want.
Topic: [TOPIC]
Target search phrase: [KEYWORD]
Reader: [WHO THEY ARE AND WHAT THEY ALREADY KNOW]
My angle or experience: [WHAT YOU KNOW THAT GENERIC ARTICLES DON'T]
Length: [WORD COUNT]
Call to action: [WHAT THE READER SHOULD DO NEXT]
Step 1, search intent: in 3 sentences, describe what someone typing that phrase is trying to do and what would let them stop searching.
Step 2, outline: a headline that includes the phrase naturally, a 2-sentence intro that gives the answer up front, then H2 and H3 headings in the order the reader needs them. Under each heading, one line on what it covers and the evidence or example it needs.
Step 3: wait for my approval of the outline.
Step 4, draft: write it section by section, leading each section with its main point. Use short paragraphs, concrete examples, plain language, and my experience where it fits. Where a statistic or source is needed, write [SOURCE NEEDED: what kind] instead of inventing one.
Finish with a meta description under 155 characters and 3 internal link ideas.
Why it works: Starting with search intent makes the outline answer what the reader is actually trying to do, which is what keeps them from returning to the results page. Approving the outline before drafting is far cheaper than restructuring a finished article, and the [SOURCE NEEDED] marker stops invented statistics from slipping into published content.
Tip: Give Claude your real angle in the setup; first-hand experience is the part of an article that generic content cannot copy.
4. Email writing prompt with two versions
Claude or Claude Code
Use it when: Use for any email that matters; you give the goal, recipient and tone, and get two distinct drafts with subject lines to choose from.
Prompt 04
Write an email for me.
Goal (what I want the reader to do or know): [GOAL]
Recipient and my relationship to them: [E.G. A CLIENT I HAVE WORKED WITH FOR 2 YEARS]
Context they already have: [BACKGROUND]
Points to include: [KEY POINTS]
Tone: [E.G. WARM BUT FIRM]
Length: [E.G. UNDER 120 WORDS]
Requirements:
- Put the main point or request in the first two sentences, because busy people decide from the opening.
- Make any ask specific: what, by when, and how to reply.
- Use plain, natural language and short paragraphs.
- End with one clear next step.
Give me two versions that differ in approach, not just wording (for example one direct, one relationship-led). For each: 2 subject line options, the email, and one line on when that version is the better choice.
If something important is missing, such as a deadline or the reason behind my request, ask me before drafting.
Why it works: Putting the request in the first two sentences, with the reason given, matches how busy readers decide whether to act. Asking for two versions that differ in approach rather than wording gives you a real choice of strategy, and the instruction to ask about missing deadlines or reasons prevents a polished email that asks for the wrong thing.
Tip: When replying, paste the email you received in <thread> tags above the setup so Claude matches its tone and answers every question in it.
5. Proofreading and line editing prompt
Claude or Claude Code
Use it when: Use before you publish or send anything important; Claude fixes errors and tightens sentences, and shows every change in a tracked-changes style list.
Prompt 05
Proofread and line edit the text below. Keep my voice, meaning and structure; I want polish, not a rewrite.
Type of text: [E.G. COVER LETTER, ARTICLE, REPORT]
Style: [US OR UK ENGLISH, AND ANY STYLE GUIDE]
<text>
[PASTE TEXT]
</text>
Check for:
1. Spelling, grammar and punctuation errors
2. Unclear or ambiguous sentences
3. Wordiness and repetition
4. Inconsistencies in names, numbers, tense, capitalization and formatting
5. Sentences that are awkward to read aloud
Output in two parts.
Part 1, change list: a numbered table with columns Original | Suggested | Reason | Type. Type is "error" or "style", so I can accept every fix and pick among the style suggestions.
Part 2, clean copy: the full text with all errors fixed and style suggestions applied only where they clearly help.
If a sentence is ambiguous and the right fix depends on what I meant, flag it with a question instead of guessing.
Why it works: Labeling each change as an error or a style preference lets you accept every fix quickly while staying in control of your voice. The change table makes edits visible instead of silently rewriting, and flagging ambiguous sentences with a question avoids fixes that change your meaning.
Tip: For long documents, edit one section at a time; the change list stays readable and nothing gets skipped.
6. Make it shorter and clearer prompt
Claude or Claude Code
Use it when: Use when a draft is too long or hard to follow; Claude cuts it to a target length while keeping every point that matters.
Prompt 06
Make the text below shorter and clearer.
Target length: [E.G. 150 WORDS, OR HALF THE CURRENT LENGTH]
Reader: [WHO READS IT]
The one thing they must take away: [KEY MESSAGE, OR "YOU DECIDE"]
<text>
[PASTE TEXT]
</text>
How to cut:
1. First, list the essential points in one line each. Everything else is a candidate for cutting.
2. Lead with the most important point.
3. Remove warm-up openings, repeated ideas, hedges that add nothing, and examples that do not earn their space.
4. Prefer short, common words and active verbs. Turn noun phrases back into verbs ("make a decision" becomes "decide").
5. Keep facts, numbers, names and commitments exactly as written.
Return the shortened version, its word count, and a list of what you cut, so I can restore anything that mattered more than you could tell.
Why it works: Listing the essential points before cutting gives Claude a clear test for what stays and what goes. Protecting facts, numbers and commitments prevents meaning from changing during compression, and the list of cuts lets you restore anything Claude could not know was important.
Tip: Ask for two versions at different lengths, such as half and a quarter, to see what survives the deeper cut.
7. Summarize a long document prompt
Claude or Claude Code
Use it when: Use for reports, contracts, transcripts or papers you have no time to read in full; you get a TL;DR, key points, decisions and open questions, with quotes for anything important.
Prompt 07
<document>
[PASTE THE DOCUMENT OR UPLOAD THE FILE]
</document>
Summarize the document above. I am [YOUR ROLE] and I need the summary to [WHAT YOU WILL DO WITH IT, E.G. DECIDE WHETHER TO SIGN, BRIEF MY TEAM].
Use this structure:
1. TL;DR: 2 to 3 sentences a busy person could act on.
2. Key points: 5 to 8 bullets, ordered by importance to my purpose rather than by where they appear.
3. Decisions and commitments: anything decided, agreed, required or promised, with who and when.
4. Numbers that matter: figures, dates and deadlines, exactly as written.
5. Open questions: what is unclear, missing or contradictory.
For every item in sections 3 and 4, add a short direct quote so I can check it. Summarize only what the document says; if something I would expect to find is absent, say it is absent. Label your own interpretations as interpretations.
Why it works: Putting the document first and the request last is the order Claude handles long inputs best. Stating your role and purpose lets it rank key points by importance to you rather than by page order, and requiring quotes for decisions and numbers lets you verify the parts where a summary error would cost the most.
Tip: Keep the document first and your request last, as above; for very long files that order noticeably improves accuracy.
8. Newsletter issue writing prompt
Claude or Claude Code
Use it when: Use to turn your notes, links and ideas into a complete newsletter issue with subject lines, a hook, focused sections and one call to action.
Prompt 08
Write this week's issue of my newsletter.
Newsletter: [NAME], about [TOPIC], for [READERS]
Why people subscribe: [THE VALUE THEY EXPECT]
My voice: [E.G. FRIENDLY, OPINIONATED, DRY HUMOR], or see the past issue below
Length: [WORD COUNT]
This week's call to action: [ONE ACTION]
<past_issue>
[OPTIONAL: PASTE A PAST ISSUE]
</past_issue>
<raw_material>
[PASTE NOTES, LINKS WITH YOUR COMMENTS, IDEAS, NEWS, PERSONAL STORIES]
</raw_material>
Structure:
1. 3 subject line options under 50 characters, each with preview text
2. Opening: a 2 to 3 sentence hook tied to something readers care about this week
3. Main piece: the strongest idea in my material, developed with a clear point of view
4. Short items: 2 to 4 quick takes or links, each with one sentence on why it matters to the reader
5. Close: the call to action, stated once and plainly
Use only facts from my material. If a link has no comment from me, ask what I think of it rather than summarizing it blind. Choose what to leave out; a focused issue beats a complete one.
Why it works: Supplying your own raw material and limiting facts to it keeps the issue accurate and in your voice instead of padded with generic content. A fixed structure with one main piece and one call to action stops the issue from becoming a list of everything, and asking for your view on uncommented links prevents bland summaries.
Tip: Use your best-performing past issue as the <past_issue>; it is the fastest way to lock in voice and format.
9. Writing a book prompt: outline and chapter plan
Claude or Claude Code
Use it when: Use when starting or restructuring a book; Claude asks about your premise first, then builds an outline, chapter plan and scene beats you write from.
Prompt 09
Be my book development partner. I am writing the book myself; I want help with structure and planning.
What I have so far: [PREMISE, NOTES, OR EXISTING DRAFT]
Type of book: [E.G. LITERARY NOVEL, FANTASY, MEMOIR, BUSINESS NONFICTION]
Start by asking about my premise, one question at a time, until you understand the core idea or conflict, the main character or reader, what changes by the end, the tone, comparable books, and target length. Ask 8 questions at most.
Then work in stages, waiting for my feedback after each:
1. A one-sentence pitch and a one-paragraph synopsis.
2. A structural outline (acts or parts) showing how the stakes or the argument build.
3. A chapter plan: for each chapter, its purpose, what happens or what it argues, and how it ends to pull the reader forward.
4. Scene beats for the chapter I choose, with the goal, conflict and outcome of each scene.
Flag structural problems as you notice them, such as a sagging middle, a passive protagonist or a repeated point, and offer options rather than one fixed answer.
Why it works: Asking about the premise first means the outline is built on your story or argument rather than a genre template. Working in stages with feedback after each keeps you in charge of the book, and asking Claude to flag structural problems like a sagging middle uses it as an editor rather than a ghostwriter.
Tip: Keep the approved outline in a Claude Project's knowledge files so every later chat about a chapter stays consistent with it.
10. Honest feedback on fiction writing prompt
Claude or Claude Code
Use it when: Use when you want a useful editorial read of a story, chapter or poem; you get specific, honest feedback on what works and what does not, with evidence from your text.
Prompt 10
Give me honest, specific feedback on my creative writing, the way a good editor would. General praise does not help me improve, so be direct and point to evidence in the text.
What it is: [E.G. OPENING CHAPTER OF A THRILLER, SHORT STORY, POEM]
What I am going for: [INTENDED EFFECT, AUDIENCE, GENRE]
What I am worried about: [SPECIFIC CONCERNS, OR "NOTHING SPECIFIC"]
<piece>
[PASTE YOUR WRITING]
</piece>
Structure your feedback:
1. Reader's experience: what you felt and understood as you read, including where your attention dropped.
2. What works: 3 strengths, each with a quoted line.
3. What to fix: the 3 to 5 biggest issues in order of impact, such as pacing, clarity, character motivation, dialogue, point of view or voice. For each, quote the passage, explain the problem, and suggest one or two ways to approach it.
4. Line notes: up to 5 sentences that could be stronger, and why.
5. One question for me to consider before the next draft.
Describe problems and options, and leave the rewriting to me.
Why it works: Requiring a quoted passage for every strength and issue forces specific, checkable feedback instead of general praise. Ranking issues by impact tells you where to spend revision time, and describing the reader's experience, including where attention dropped, shows you problems you cannot see from inside your own draft.
Tip: Tell Claude which draft this is; a first draft needs structural notes, a near-final draft needs line notes.
11. Rewrite for a different audience or reading level
Claude or Claude Code
Use it when: Use when the same content has to reach a different reader, such as experts to beginners, a report to a customer email, or dense text to plain English.
Prompt 11
Rewrite the text below for a different audience.
Original audience: [E.G. ENGINEERS]
New audience: [E.G. NON-TECHNICAL CUSTOMERS]
Reading level: [E.G. GRADE 6, PLAIN ENGLISH, OR EXPERT]
What the new reader should understand or do afterwards: [GOAL]
Format and length: [E.G. SAME LENGTH, AS AN EMAIL]
<text>
[PASTE TEXT]
</text>
How to approach it:
1. Start by noting what this reader already knows, what they care about, and which terms they would not recognize.
2. Keep every fact accurate. Simplify the language, not the truth; if simplifying would make a statement wrong, keep the nuance and explain it plainly.
3. Replace jargon with plain words, or define a term the first time it appears if the reader needs to learn it.
4. Reorder so the parts this reader cares about most come first.
5. Use examples and comparisons from the reader's world.
Return the rewrite, then a short glossary of the terms you replaced or defined, so I can check that nothing changed meaning.
Why it works: Having Claude first note what the new reader knows and cares about grounds the rewrite in that reader rather than in a generic simplification. The rule to simplify the language but not the truth guards against accurate content becoming wrong, and the glossary of replaced terms lets you check meaning was preserved.
Tip: Describe one real person who fits the new audience; a specific reader produces a sharper rewrite than a category.
12. Sales copy and product description prompt
Claude or Claude Code
Use it when: Use to write product descriptions, sales page sections or ad copy built from real benefits, objections and proof rather than hype.
Prompt 12
Write persuasive copy for my product.
<product>
What it is: [PRODUCT OR SERVICE]
Who it is for: [IDEAL CUSTOMER AND THEIR SITUATION]
The problem it solves, in the customer's words: [PROBLEM]
Features and the benefit of each: [FEATURE: BENEFIT]
Common objections: [OBJECTIONS]
Proof I have: [REVIEWS, NUMBERS, GUARANTEES, CREDENTIALS]
Price and offer: [PRICE]
</product>
Copy needed: [E.G. 150-WORD PRODUCT DESCRIPTION, SALES PAGE SECTIONS, 3 AD VARIATIONS]
Where it will appear: [CHANNEL]
Approach:
1. Lead with the outcome the customer wants, not the product name.
2. Translate each feature into what it changes in the customer's day.
3. Answer the top objections directly, using my proof.
4. Use only the proof I gave you. Where proof would help and I have none, write [PROOF NEEDED], so nothing is overstated.
5. Close with one clear call to action.
6. Keep the language plain and specific; swap hype words such as "revolutionary" for concrete claims.
Give me 2 versions with different angles (for example pain-led and aspiration-led), and say which kind of customer each suits.
Why it works: Collecting benefits, objections and proof up front gives Claude the raw material persuasive copy is made from, instead of leaving it to fill space with hype. Limiting claims to the proof you supply, with [PROOF NEEDED] where it is missing, keeps the copy honest, and two different angles let you test which motivation your customers respond to.
Tip: Paste three real customer reviews into the proof line; their exact phrases often make the strongest headlines.
Getting more out of every prompt
Your own details make the difference
Generic drafts come from generic inputs. Add the specific story, number, customer quote or opinion that only you know, and the text stops sounding like everyone else's. Claude is good at shaping material; it cannot supply your experience.
Build a reusable style guide
Run the voice-matching prompt once, correct the style guide it produces, and save it in your profile preferences or a Claude Project. Every later writing request then starts from your voice without repeating samples.
Edit in passes
Ask for structure first, then clarity, then line-level polish. Doing everything at once tends to produce a rewrite rather than an edit. Smaller passes also make each change easier to review.
Frequently asked questions
How do I make Claude's writing sound more human?
Tell Claude who the reader is and where the text will appear, give it a sample of your own writing, and ask it to replace stock phrases with plain words and concrete details. Vary sentence length and remove formulaic patterns such as summary lines at the end of every paragraph. The most natural results come from adding your own specifics.
Can Claude write in my writing style?
Yes, if you give it several samples of your own writing. Ask it to describe your style first, correct that description, then have it write or rewrite using it. Saving the confirmed style guide in a Project or your preferences keeps it consistent.
Is Claude good for proofreading and editing?
Claude can catch grammar, spelling, clarity and consistency problems and explain each change. Ask for a list of changes separated into errors and style suggestions so you keep control of your voice. Always review the final text yourself before publishing.
Can Claude summarize long documents?
Yes. You can paste text or upload files such as PDFs, and Claude can work with long documents. Put the document first and your request last, say what you need the summary for, and ask for quotes supporting key decisions and numbers so you can check them.